Top related persons:
Top related locs:
Top related orgs:

Search resuls for: "Arthur Lubow"


6 mentions found


When Masters of Black-and-White Spin the Color Wheel
  + stars: | 2024-01-24 | by ( Arthur Lubow | ) www.nytimes.com   time to read: +1 min
His black-and-white picture of Big Tex, the cowboy effigy that hovers over the State Fair of Texas in Dallas, shows a motley assortment of Texans sitting and cavorting beneath the absurd figure. In the color variant, much of the space is taken up by a blank blue sky and the visitors are indistinct, so that the comedy is drained. In the color image, probably taken an instant later, the man is looking at the camera, the woman’s expression has changed, and the impact is diffused by the photographer’s own obscuring shadow and a distracting crowd of passers-by. The previously published “White Sands National Monument, New Mexico,” 1964, transposes Winogrand’s fascination with alienated and isolated Americans into a beautiful blue-and-white image. And some of his very early Coney Island photographs, taken in the ’50s, use color to convey the tender vulnerability of sand-streaked flesh.
Persons: Big Tex, Coney Organizations: State Fair of, Texans, Zoo Locations: State Fair of Texas, Dallas, Zoo , New York, Sands, New Mexico
Breathtakingly fast and painstakingly slow: Before the introduction of the digital camera, a photographer worked in those parallel time frames. The click of the shutter was instantaneous, but then the film had to be developed, the contact sheets or color slides reviewed, and the selections made for printing. Pressed for time, a working photographer typically made these decisions hurriedly. Bruce Davidson, who turns 90 next month, has been reviewing his archive for the last eight years. What makes him remarkable is the empathy that won over his subjects and the devoted persistence of his investigations.
Persons: Bruce Davidson, Howard Greenberg, Davidson, Eugène Atget, Henri Cartier, Bresson, Robert Frank, Diane Arbus Organizations: Howard, Howard Greenberg Gallery Locations: New York
They Know the Blessing and Curse of Warhol and Basquiat
  + stars: | 2023-07-11 | by ( Arthur Lubow | ) www.nytimes.com   time to read: +1 min
Using her bare breasts as paintbrushes, Berlin, beginning in the ’70s, made “tit prints,” in which her pigment-laden aureoles produced forms that resemble balloons and angelfish. Even more scandalous are three of the chapbooks in which she kept drawings she cajoled artists into making of their penises. She was making the ‘tit prints’ without thinking of burning her bra. What really matters is what is in the work.”Like Powell, Berlin in many of her Polaroids documented the Warhol entourage. The show concludes with homages to Berlin made by artists today, including Francesco Clemente, Jenna Gribbon and Jane Kaplowitz.
Persons: Jasper Johns, Leonard Cohen, Dennis Hopper, Robert Smithson, Brice Marden, ” Gingeras, , , Warhol, Gingeras, Willem de Kooning, John Cage, Francesco Clemente, Jenna Gribbon, Jane Kaplowitz Locations: Berlin, Powell
Love and Loss Through the Photographer’s Lens
  + stars: | 2023-06-29 | by ( Arthur Lubow | ) www.nytimes.com   time to read: +2 min
In the thought-provoking exhibition, “Love Songs: Photography and Intimacy,” at the International Center of Photography, two series of photographs by Nobuyoshi Araki face off on opposite walls. In the first, “Sentimental Journey,” from 1971, Araki charts his honeymoon with Yoko Aoki, his young wife. Love and loss. Many of the photographers are charting the end of a love affair. As songwriters have recognized, the pain of a breakup is more emotionally penetrating than the joy of a happy romance.
Persons: , Nobuyoshi Araki, Araki, Yoko Aoki, Aoki, Henry James’s “, you’ve, Sara Raza Organizations: International Center of Photography, Maison Locations: , Paris
In a room hung with empathetic black-and-white photographic portraits for her retrospective at the Philadelphia Museum of Art, Judith Joy Ross, frail-looking and white-haired, was recently taking pictures for her next series. Posing a guard in front of her old-fashioned wooden view camera, she chattered on in an obscenity-laced monologue about her ineptitude. “That’s great,” she gushed. “Everybody can see that’s great. Ross turned to me and said, “People don’t like to be photographed, but photographers also don’t like to photograph.
Persons: Judith Joy Ross, , Ross, it’s Organizations: Philadelphia Museum of Art
Fraenkel’s question about Friedlander landed on fertile ground. “I certainly knew of him, and I think Fran did a little,” Coen said recently, in a joint video interview with McDormand from California. ‘Just 10 photographs if you like.’ ”Coen and McDormand visited the Friedlanders in New City, N.Y., to make sure they were simpatico. “They came here with Jeffrey,” Friedlander recalled. Each show will display about 45 photos.
Total: 6